Wednesday, November 10, 2010
Philadelphia & The Fringe is MOVING
I'm moving this blog to wordpress, here's the new page- http://philadelphiaandthefringe.wordpress.com/
Sunday, October 31, 2010
Review: Abel's Lesser Men
A year after the release of their debut EP, indie rock outfit Abel brings fans their first full-length album, Lesser Men. According to vocalist Kevin Kneifel, “the album is about how we often lose focus on the things that are truly lasting and important in this life.”
There’s a certain musical freedom about Lesser Men. Instead of letting song structures define the direction of vocals and instruments, Abel allows the vocals and instruments to carry the songs, giving the album a rawness and authenticity that many albums lack.
Lyrically, Lesser Men is pretty straightforward; yet, clever metaphors are found on “Titanic” and “The Martyr.” One of my favorite lines on the album, though simple, is strikingly powerful, “There’s no greater love/There’s no greater call/than when You said, ‘Come, follow me.’” (“The Martyr”).
Lesser Men is one of those rare albums that offers the best of both worlds, great music and uplifting, honest lyrics. This is indie rock at its best.
Friday, October 15, 2010
Interview: Lovelite
Andrew Polfer of Lovelite talks about the band's new album, it's sci-fi cover art, & more...
How did Lovelite get started?
My wife and I have always enjoyed making music together. We used to do a coffee shop singer/songwriter style but we found that writing worship songs was so much more fulfilling for us personally. Several opportunities opened up at the college I was attending (Azusa pacific). Some of our songs were being used in the chapel services. That encouraged us to keep writing at which point several of our friends joined our band and we formed lovelite.
How did Lovelite get started?
My wife and I have always enjoyed making music together. We used to do a coffee shop singer/songwriter style but we found that writing worship songs was so much more fulfilling for us personally. Several opportunities opened up at the college I was attending (Azusa pacific). Some of our songs were being used in the chapel services. That encouraged us to keep writing at which point several of our friends joined our band and we formed lovelite.
Where did the name Lovelite come from?
The name comes from Ephesians 5 "for we were one children of darkness and now we are children on light". So, in other words we used to love-dark now we love-lite. The spelling is "lite" for a stylistic preference.
How did the band get hooked up with Come&Live!?
Well, that's an interesting story. As we were getting ready to release our CD all color I received an email from Chad Johnson. He still worked as an a&r guy for toothandnail and we thought that he was going to talk to us about joining that label. But instead he offered us to join in a incredible call to a new type of Christian label, one that offers free music and more importantly offers the opprotunity to "live simply and give generously"
Well, that's an interesting story. As we were getting ready to release our CD all color I received an email from Chad Johnson. He still worked as an a&r guy for toothandnail and we thought that he was going to talk to us about joining that label. But instead he offered us to join in a incredible call to a new type of Christian label, one that offers free music and more importantly offers the opprotunity to "live simply and give generously"
What were some of the musical and lyrical influences for your latest release, Nearness?
Musically speaking we really enjoy Doves, Elbow, sleeping at last, and peter Gabriel.
Lyrically we love the poetry in old hymns and that usually challenges us. Almost as a lofty hope of creating new liturgy.
Musically speaking we really enjoy Doves, Elbow, sleeping at last, and peter Gabriel.
Lyrically we love the poetry in old hymns and that usually challenges us. Almost as a lofty hope of creating new liturgy.
What inspired the title-track, “Nearness?”
Nearness sums up a spiritual season that my wife and I went through. It's based on the idea that often we feel as if God is far from us. It may make us feel dry and possibly feel like were living without purpose. But the reality is that God remains close and is willing to re spark the passion if we ask for it. It often takes a journey of spiritual dryness in order to realize where we are most satisfied.
Nearness sums up a spiritual season that my wife and I went through. It's based on the idea that often we feel as if God is far from us. It may make us feel dry and possibly feel like were living without purpose. But the reality is that God remains close and is willing to re spark the passion if we ask for it. It often takes a journey of spiritual dryness in order to realize where we are most satisfied.
Who came up with the album artwork for Nearness and how does it relate to the album’s overarching theme of drawing nearer to God?
The artwork was created by a great friend named Matt sheean. We wanted something that was more than digital Photoshop style artwork. So we chose to go with a watercolor feel.
We got together with the artist before he developed it and we came up with the idea together.
As far as the science fiction theme; The final track on the album is called "perihelion". It refers to when the time of year that the earth is closest to the sun. We thought that was quite poignant in regards to being "near" to God.
We enjoyed the idea of the journey of a space traveler. It seemed to be a great allegory for our own personal journey through spiritual dryness. There's a comic inside the physical copy. Also, how often does a worship band have sci fi art for their music.
The artwork was created by a great friend named Matt sheean. We wanted something that was more than digital Photoshop style artwork. So we chose to go with a watercolor feel.
We got together with the artist before he developed it and we came up with the idea together.
As far as the science fiction theme; The final track on the album is called "perihelion". It refers to when the time of year that the earth is closest to the sun. We thought that was quite poignant in regards to being "near" to God.
We enjoyed the idea of the journey of a space traveler. It seemed to be a great allegory for our own personal journey through spiritual dryness. There's a comic inside the physical copy. Also, how often does a worship band have sci fi art for their music.
What’s the songwriting process like for Lovelite?
My wife and I are both involved in the writing process. I usually start the songs with a melody or a lyrical idea. It's usually very raw and unrealized. I then talk to to Jen and she helps craft it into a completed and understandable song. Every song is a collaboration between the two of us. Recently we've begun to write with the guy who produced our album, Tyler Chester as well as our guitar player, Adam Taylor.
My wife and I are both involved in the writing process. I usually start the songs with a melody or a lyrical idea. It's usually very raw and unrealized. I then talk to to Jen and she helps craft it into a completed and understandable song. Every song is a collaboration between the two of us. Recently we've begun to write with the guy who produced our album, Tyler Chester as well as our guitar player, Adam Taylor.
Several months ago, Lovelite posted a video tutorial for “There You Are.” Do you plan on posting tutorials for any other songs in the future?
Haha. Yeah those are a lot of fun for us to do. We plan to do more. You might not be able to tell by the end result but it takes quite a bit of time for me to do those.
Haha. Yeah those are a lot of fun for us to do. We plan to do more. You might not be able to tell by the end result but it takes quite a bit of time for me to do those.
Are there any social justice or philanthropic organizations that the band’s really passionate about?
We are passionate about homelessness We have been involved with the San Diego rescue mission for some of their events and we would love to continue to serve in that way.
We are passionate about homelessness We have been involved with the San Diego rescue mission for some of their events and we would love to continue to serve in that way.
I noticed that all of your upcoming shows are in your home state, California. Does Lovelite only do one-off dates? Or do you go on full tours around the country as well?
For most of our musical lives we've been mostly in California. We've recently started working with a new booking agent named mark mattingly at paradigm booking. We are hoping to play out more with this new relationship
For most of our musical lives we've been mostly in California. We've recently started working with a new booking agent named mark mattingly at paradigm booking. We are hoping to play out more with this new relationship
Well we hope to participate next year in a lot the festivals as well as pursuing some touring. A music video is possibly in the works with a great filmmaker named Andy Reale. He works with come&live and he is incredible. We also are working on more music. We love the writing and recording process
Get Lovelite's Nearness for FREE at comeandlive.com
For more info on Lovelite visit http://www.myspace.com/lovelite
Monday, October 11, 2010
Review: Lovelite's Nearness
After the release of their phenomenal debut, Lovelite returns with a new EP, Nearness. Husband and wife, Andrew and Jen Polfer, wrote songs "wanting God to renew [their] passion and drive for ministry." The result: Nearness EP, an indie/worship album with luscious melodies, appealing instrumentation, and lyrics glorifying the Creator.
A thick 80's synth lays the foundational soundscape of "Apathy." The fast-paced indie rocker showcases the couple's impeccable harmonies. "Brevity" brings the tempo down with serene instruments and more pretty harmonies. Musically, "Ambition" takes a more serious tone, fitting with the prayerful lyrics, "My ambition is to bring joy to You/I'll do anything if You ask me to."
The title-track is one of the highlights of the album. Dreamy guitar motifs and Jen's rich yet angelic-like vocals pair well with the song's intimate lyrics- "Give me a nearness/I want to feel fire/Your friendship is tireless."
"Invisible One" and "Finally Free" are vertically-focused worship tunes that could be suitable for corporate worship, as their melodies are easier to sing and follow than the other songs on the album.
Nearness is not your typical worship album; there are no cliche lyrics, predictable melodies, or bland instrumentation. With a lot of bands, I find, I must decide between creative music or solid lyrics. Lovelite is one of the few bands that offers both.
Tuesday, October 5, 2010
Interview: Disciple
Check out my interview with Kevin Young of Disciple- http://www.cmaddict.com/interview_page.php?interview_id=5
Monday, October 4, 2010
Interview: Haydon Spenceley
Haydon Spenceley shares about his new album, favorite bands, & songwriting...
When did you first get involved in music?
I think music has been a part of me from the earliest bits of my life. My mum's musical, as is my dad (although he won't admit it) so I was always around music growing up. I started learning drums and piano at nine, as well as singing in Choirs at Church and at school. Given my disability (I have Cerebral Palsy and use a manual wheelchair) and the diagnosis I'd been given as a small child, it was always seen as pretty unlikely I'd be able to play any instruments, but I loved them so much I just kept going and going with them. When I was about fourteen I started writing songs, all the way along encouraged by amazing teachers and friends, and then eventually, in 2003, made a CD called Project Freedom with help from a charity over here called Whizz Kidz. From there it kinda spiralled, so that, by 2007 we (Freeslave) had released four or five CDs, including a full length, and done pretty well nationally here. From there my own life unravelled a bit, and I went solo, almost while God was doing works of healing and reconciliation in my life, and now here I am, with a second solo album, and a big passion to share what God has done in my life and is doing, and is offering to all, whereas in the old days I was more interested in being cool and liked, if you get what I mean.
What bands did you listen to growing up?
Delirious? were a big influence on me growing up. I remember being a kid and watching them chart back in 1997 and being almost obsessed with them. I've since found out that this isn't really healthy, and also that they're thoroughly decent chaps, rather than big shot rock stars, but that's hard to process when you're 12! I also loved Oasis, Blur, Pulp, British bands like that from the Britpop era. Later on bands like Matthew (amazing band, everyone should buy their one album) and a lot of Christian bands from the UK like Kato and Quench, that I've since had the pleasure of touring with.
You used to be a member of a band called Freeslave? Why did you decide to go solo?
I think I sort of answered that already. Basically, the band would have carried on and worked, and probably still been going, if I'd handled it better, and been easier to be in a band with, and we'd communicated better as a bunch of guys, but sadly I lacked maturity and common sense, and acted like an idiot at various points, and something which could have been really great came to an end just when we were at the point of achieving something special. That's a big regret of mine. Now though, as my life and circumstances have changed, with working for a Church, and also as I find the travelling you need to do for touring pretty arduous, it's quite nice to be doing things solo on my own terms.
What were some of the musical and lyrical influences for your latest release, Heart Strings?
I love bands like Mutemath, Aqualung, Stateless and Telefon Tel Aviv. If I could scratch the surface of their songwriting skill and inherent creativity I'd be pretty happy. Lyrically I wanted to write a hopeful record, and give a picture of who I've been as a person and an artist, and the person I am now, and shine an expectant light on the life that is to come, if we choose to accept the offer that God makes to us in Jesus.
Do you have a favorite song from the new record?
I have two. Crying, and Masterplan. Crying, I wrote on September 12th 2001, after praying around 9/11 and seeking God for His voice and heart about what was going on there. The idea that human violence one to another, in whatever form, breaks the heart of God is, I think, valid and important for us to grasp as it was then and has been throughout time. Masterplan is very personal, as it deals with the issue of beauty and self-worth. As a bloke, I'm not supposed to think of myself as beautiful really, not very manly that, but God delights in me and rejoices over me with singing (Zeph 3:14-17). Throughout my life I've struggled with self worth and self image, because of being disabled, feeling less than a man, and not thinking that I stand comparison with other people, because of that and who I've been, but God loved me so much He sent Jesus to die for me so that I could know Him, love Him, and be made like Him, and through Him, I am made beautiful. If we're made in the image of God (Gen 1:27) and God is love and beauty, how can we not be a little bit like that, even in our fallen state? Once we accept Christ as Saviour and friend, we are restored, reconciled, made new in Him, beautiful. When I started to write this record, every show we were playing I seemed to meet people who struggled along similar lines to me, and it seemed like it is God's heart for this generation that we, in humility, know who we are in Christ, how beautiful we are, that we are hidden in the palm of God's hand, that He covets us, that He loves us, and rejoices over us. I think if we, as a Church really got this, it would revolutionize our lives, and the ministry we exercise in the world.
What was the inspiration for “Lost My Heart?”
I wanted to write a song about putting God above and before every other part of my life. Singing "Take it all from me, all the treasure of this life to which I cling, till you are the only thing I adore" every time you go on stage is a humbling thing to do, and also a dangerous prayer. I long for many people to join with me in singing that, and seeking ways for our lives to reflect it.
What do you hope listeners take away from the album?
I hope people meet, get to know, fall in love with, and commit their lives to Jesus, and if my album plays some part in that then there could be nothing better than that for me.
Where do you draw inspiration for your songwriting?
All over really. More often than that experiences trigger a desire to write, and then I bunk down for a while and get on with it. I have large swathes of time when I don't write a note, and then it all happens at once. This year I've found writing very difficult, because a lot of the joy, and drive and determination, which drove me on in the past, has disappeared. I've had a few industry-related disappointments, and felt let down a few times, as well as feeling like I've let people down a fair bit too, but I'm emerging blinking into the songwriting sunlight once again right now, getting ready for my next project.
Do you have any songwriting tips for amateur songwriters?
Write what you love. If you love it, others will. If you hate it, they probably will too. Don't force it, it'll come, and if you write about or to or for God, keep it that way. Don't get swayed by a desire to sell units or for radio or whatever else. He delights in you, He is your audience, your fanbase. If you offer, truly offer something to Him, for His use, don't be surprised if He takes it and uses it in ways you've never dreamed of. Oh, and always love on your band, be friends with them, and stay friends with them whatever happens. I didn't do this well, a few times in my life, and I regret the loss of people from my life much more than I enjoy listening to the records I've made. You'll be friends much longer than you'll have good hair.
Any plans for music videos or tours?
When did you first get involved in music?
I think music has been a part of me from the earliest bits of my life. My mum's musical, as is my dad (although he won't admit it) so I was always around music growing up. I started learning drums and piano at nine, as well as singing in Choirs at Church and at school. Given my disability (I have Cerebral Palsy and use a manual wheelchair) and the diagnosis I'd been given as a small child, it was always seen as pretty unlikely I'd be able to play any instruments, but I loved them so much I just kept going and going with them. When I was about fourteen I started writing songs, all the way along encouraged by amazing teachers and friends, and then eventually, in 2003, made a CD called Project Freedom with help from a charity over here called Whizz Kidz. From there it kinda spiralled, so that, by 2007 we (Freeslave) had released four or five CDs, including a full length, and done pretty well nationally here. From there my own life unravelled a bit, and I went solo, almost while God was doing works of healing and reconciliation in my life, and now here I am, with a second solo album, and a big passion to share what God has done in my life and is doing, and is offering to all, whereas in the old days I was more interested in being cool and liked, if you get what I mean.
What bands did you listen to growing up?
Delirious? were a big influence on me growing up. I remember being a kid and watching them chart back in 1997 and being almost obsessed with them. I've since found out that this isn't really healthy, and also that they're thoroughly decent chaps, rather than big shot rock stars, but that's hard to process when you're 12! I also loved Oasis, Blur, Pulp, British bands like that from the Britpop era. Later on bands like Matthew (amazing band, everyone should buy their one album) and a lot of Christian bands from the UK like Kato and Quench, that I've since had the pleasure of touring with.
You used to be a member of a band called Freeslave? Why did you decide to go solo?
I think I sort of answered that already. Basically, the band would have carried on and worked, and probably still been going, if I'd handled it better, and been easier to be in a band with, and we'd communicated better as a bunch of guys, but sadly I lacked maturity and common sense, and acted like an idiot at various points, and something which could have been really great came to an end just when we were at the point of achieving something special. That's a big regret of mine. Now though, as my life and circumstances have changed, with working for a Church, and also as I find the travelling you need to do for touring pretty arduous, it's quite nice to be doing things solo on my own terms.
What were some of the musical and lyrical influences for your latest release, Heart Strings?
I love bands like Mutemath, Aqualung, Stateless and Telefon Tel Aviv. If I could scratch the surface of their songwriting skill and inherent creativity I'd be pretty happy. Lyrically I wanted to write a hopeful record, and give a picture of who I've been as a person and an artist, and the person I am now, and shine an expectant light on the life that is to come, if we choose to accept the offer that God makes to us in Jesus.
Do you have a favorite song from the new record?
I have two. Crying, and Masterplan. Crying, I wrote on September 12th 2001, after praying around 9/11 and seeking God for His voice and heart about what was going on there. The idea that human violence one to another, in whatever form, breaks the heart of God is, I think, valid and important for us to grasp as it was then and has been throughout time. Masterplan is very personal, as it deals with the issue of beauty and self-worth. As a bloke, I'm not supposed to think of myself as beautiful really, not very manly that, but God delights in me and rejoices over me with singing (Zeph 3:14-17). Throughout my life I've struggled with self worth and self image, because of being disabled, feeling less than a man, and not thinking that I stand comparison with other people, because of that and who I've been, but God loved me so much He sent Jesus to die for me so that I could know Him, love Him, and be made like Him, and through Him, I am made beautiful. If we're made in the image of God (Gen 1:27) and God is love and beauty, how can we not be a little bit like that, even in our fallen state? Once we accept Christ as Saviour and friend, we are restored, reconciled, made new in Him, beautiful. When I started to write this record, every show we were playing I seemed to meet people who struggled along similar lines to me, and it seemed like it is God's heart for this generation that we, in humility, know who we are in Christ, how beautiful we are, that we are hidden in the palm of God's hand, that He covets us, that He loves us, and rejoices over us. I think if we, as a Church really got this, it would revolutionize our lives, and the ministry we exercise in the world.
What was the inspiration for “Lost My Heart?”
I wanted to write a song about putting God above and before every other part of my life. Singing "Take it all from me, all the treasure of this life to which I cling, till you are the only thing I adore" every time you go on stage is a humbling thing to do, and also a dangerous prayer. I long for many people to join with me in singing that, and seeking ways for our lives to reflect it.
What do you hope listeners take away from the album?
I hope people meet, get to know, fall in love with, and commit their lives to Jesus, and if my album plays some part in that then there could be nothing better than that for me.
Where do you draw inspiration for your songwriting?
All over really. More often than that experiences trigger a desire to write, and then I bunk down for a while and get on with it. I have large swathes of time when I don't write a note, and then it all happens at once. This year I've found writing very difficult, because a lot of the joy, and drive and determination, which drove me on in the past, has disappeared. I've had a few industry-related disappointments, and felt let down a few times, as well as feeling like I've let people down a fair bit too, but I'm emerging blinking into the songwriting sunlight once again right now, getting ready for my next project.
Do you have any songwriting tips for amateur songwriters?
Write what you love. If you love it, others will. If you hate it, they probably will too. Don't force it, it'll come, and if you write about or to or for God, keep it that way. Don't get swayed by a desire to sell units or for radio or whatever else. He delights in you, He is your audience, your fanbase. If you offer, truly offer something to Him, for His use, don't be surprised if He takes it and uses it in ways you've never dreamed of. Oh, and always love on your band, be friends with them, and stay friends with them whatever happens. I didn't do this well, a few times in my life, and I regret the loss of people from my life much more than I enjoy listening to the records I've made. You'll be friends much longer than you'll have good hair.
Any plans for music videos or tours?
The record's out on November 22nd, digitally all over the world. Please buy it, share it, love it, and tell your friends about it. All sorts of things could happen after that but for now I'll try and remain content and carry on serving at home, and just see what God has in store.
Friday, October 1, 2010
Review: Haydon Spenceley's Heart Strings
Two years after the release of his debut album, U.K. artist Haydon Spenceley is readying for the release of his second solo album, Heart Strings. A glorious fusion of synthpop and rock, Heart Strings weaves through a myriad of spiritual themes including, love, surrender, and hope.
Heart Strings opens with the bright, poppy title-track, similar in vein to Owl City (minus the vocals), but with more straightforward lyrics. "Hiding Place" is just as upbeat, with fast-paced percussion. One of the highlights of the album, "Lost My Heart," is an atmospheric, melancholy tune. The message can be summed up by verse 6:20 in the book of Matthew, "But store up for yourselves treasures in heaven, where moth and rust do not destroy, and where thieves do not break in and steal (NIV)."
Songs like "Lay It Down" and "Save My Day" are synth-based but have more of rock edge than others. The acoustic-driven "King of Glory" has a slight folk-flare to it, reminiscent of John Mark McMillan. "Masterplan" is the epic closer- somber and slow-building, carried by strings and haunting vocals.
Heart Strings is the perfect album for synthpop and 80's electronica fans. My only complaint is that the production is a bit lacking. Some spots sound a little empty. That aside, Heart Strings is a solid album, oozing with originality and the love of Jesus.
For more information on Haydon Spenceley visit http://www.myspace.com/haydonspenceley
Heart Strings pre-release is available on NoiseTrade.
Be on the lookout for an exclusive interview with Haydon to be posted shortly!
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